The Long and Winding Coat Project Plan

This particular project plan was a convoluted one. It began when I saw this pattern, which is the Sylvi pattern, designed by Mari Muinonen, and got all "I LOVE THIS I MUST MAKE IT." So the Sylvi pattern got added to my project list for 2014.

My next step was a yarn purchase. When the Toronto Mary Maxim store at Yonge and Eglinton closed this past year because their rental costs became unmanageable, I managed to dry my tears and score the 1500 grams of Diamond Yarn Luxury Collection Llama Silk you see above for 50% off the regular price. I had imagined the coat in a flecked rust (I love the red but couldn't face the thought of all the Little Red Riding Hood jokes), so this yarn was just what I wanted in that regard, and it proved to be a lovely yarn to work with. The "hand wash only" care requirement for this yarn was definitely not a plus (who wants to hand wash a coat?), but I thought I could live with it as the coat isn't going to need washing very often.

Once I had the pattern and the yarn, I began knitting. I knitted a sleeve first. (When I need to know how the gauge of a yarn, I usually do a sleeve first as a sort of cheat gauge swatch. If I get the gauge wrong, I won't need to rip out much more than if I had done a swatch, and if the gauge turns out to be right I've got a few inches of sleeve done.) Then I knitted about half of one of the front pieces. Then, having worked happily away on this coat for perhaps four or five evenings, I woke up one morning and the first thought that came to mind was, "What was I thinking? This design is going to look like hell on me!"

The Sylvi design, gorgeous as it is, has a trapeze shape. I am, shall we say, mammarily blessed. My chest measurement is bigger than my hip measurement. My wearing a jacket that flares out from the largest section of my body is a terrible, horrible, no good, very bad idea. I then spent some evenings trying modify the pattern by adding waist shaping, but soon decided the best idea was simply to choose another coat pattern.





After much browsing of coat patterns on Ravelry, I narrowed my selections down to these two: the Bergère de France coat on the left, and the Winter Wonderland Coat by Michele Rose Orne on the right. Both are wonderful designs and I was torn between them for some days, but eventually I decided on the Winter Wonderland design. The Bergère de France design is so inimitably chic and French, but as I regretfully concluded, I am neither chic nor French. The Winter Wonderland Coat seemed a little more "me", and would probably also work better on my figure as it's less bulky above the waist.

And here's the final result. The gauge was a little strange. The pattern called for an Aran yarn knitted on 4.5mm needles. The Diamond Yarn Luxury Collection Llama Silk is a bulky weight, which should have knitted to a bigger gauge, and yet I had to use 5mm needles to get the right gauge. I also used much less yarn than the pattern called for. The pattern called for 2000 grams of yarn, while I used less than 1300 grams (there are more than two hanks left over) of the Diamond Yarn. I'm not complaining about this, as it means that my version of this coat weighs 35% less than the sample coat does.

I made a few modifications, as you can see. I wanted more coverage in the front, both for warmth and to make it easier to coordinate the coat with whatever I wear with it (the less you can see of the outfit underneath, the less well the coat has to match it). I ran the buttons all the way down the front instead of just buttoning the bodice. I also widened the button and buttonhole bands by two stitches as even in the picture the buttons look a little too big for their bands and I was using a slightly larger button than the pattern called for. I raised the neckline by something like five inches. I'm not thrilled with the way my shortened collar looks on the higher neckline, but it will do. And I'm very pleased with how the coat looks on me. Both the colour and the style suit me very well.

Lesson learned from this project is that from now on I'm going to make sure that my project plans have a better foundation than blind love of a pattern, because that has too often led to my knitting something that won't look right on me and/or that I have no use for. It's better that I take a more needs-based approach to project planning, (i.e., I decide I could use a hat and scarf to go with a new coat I just bought, or another easy care cardigan to wear around home), and to then look for the perfect pattern for that purpose.

Not So Slouchy Cap and Scarf

A few weeks ago after some inquiries on the topic of what my mother wanted for Christmas, she asked me to make her a tuque in "navy or whatever colour I have". I selected this pattern, the Last Minute Slouch, designed by Madeline Tosh. It's a free pattern. I did have some navy yarn that I could have used to make this cap, but since I wanted to also make Mum a matching scarf, that meant I needed to purchase yarn. My mother is allergic to wool, which meant I had to go with an acrylic. I bought 300 grams of Vanna's Choice in navy.

And here's the resulting hat and scarf set. There was no pattern for the scarf, of course. I just used the ribbed moss stitch and 2x2 ribbing you see in the hat. I'd never worked with Vanna's Choice before. I wasn't displeased with it. It comes in attractive colours and it's a decent quality compared to other acrylics I've worked with. I hope my mother is pleased with her Christmas present. She doesn't think she looks good in hats and has very exacting tastes in general, but since this is exactly what she asked for I think I'm on safe ground. Here's hoping she won't rip it out and make herself something else with the yarn as she has done with my gifts in the past.

Fine Linen, Bright and Clean

This sewing project began with my notion that I could use a new spring and summer jacket, something neutral that I could wear with everything. I was at Fabriclands and selected some ivory linen for the project, and then I found a pattern for it. I used Simplicity 2256 for it, as seen above, namely the version made in camel-coloured fabric on the right. I liked the lapels. I originally bought the pattern and materials back in the spring of 2012, began work on it in January 2014 and am just now finishing it. Yes, this does mean I let two springs and summers go by in which I could have been enjoying the jacket, but it also means I have a definite jump on the 2015 season. I am therefore awesome.

And this is my version, shown here buttoned over a dress I made years ago. It turned out well enough, though I do regret my selection of pattern. It's an attractive jacket in itself but any sort of empire line is a bad idea for my figure. This is going to make me look dumpy. Oh well, it's wearable enough and when I eventually spill something on it as I am sure to do, I can replace it.

This jacket pattern didn't call for a lining, but I lined it anyway with a poly satin. Linen doesn't feel that nice against the skin, this linen was sheer enough that not only every seam but whatever I was wearing underneath was going to show through, and the lining also will add a little bit of warmth to the jacket.

The Christmas Slippers

These Man's Cabled Slippers were designed by Pat Richards for Vogue Knitting's Winter 1992/1993 issue. I've been using this slipper pattern to make slippers for my father almost since this pattern was published. You can see last year's pair and an explanation as to why these slippers are so important to my father's comfort (he has a severe case of rheumatoid arthritis) on my knitting blog, The Knitting Needle and the Damage Done.

Here's this year's pair. I believe it to be the ninth I have made from this pattern. Over the years I've added a number of modifications. I knit two soles for each slipper and insert an insole between them. This year I used foam insoles rather than the felt insoles I have been using because I couldn't find any felt ones, and can only hope the foam will be as comfortable and will last out the year. I knit the bottom soles from craft yarn as, nasty-feeling as it is, it's the most durable yarn on the market, and use a nicer-feeling yarn for the upper soles and upper. I run thread elastic around the heel as that helps the slippers stay on much better. This year I used a needle a half-size smaller than what I have been using as my mother told me to make the slippers a little smaller because the slippers become too big after they stretch out. The green yarn here was some of a small lot of yarn I picked up at Value Village for three dollars a few years back. It's Infitex "Stop Cumbre", which is an acrylic/wool/mohair blend, was made in Spain, and judging from the graphics and font on the ball band, was probably spun in the seventies. It's not in the Ravelry database, at any rate. I came across it last January when I spent part of New Year's Day tidying and reorganizing my stash, and ear marked it for my father's slippers. Besides being the right weight, it's quite good quality and pleasant to work with, it should feel good to wear, and green is by far my father's favourite colour. I have enough left it to make his next two pairs of slippers.

I didn't have quite enough gray craft yarn left to knit the soles, so I pieced it out with a little of the green. I never worry about having to cobble together my father's slippers with different colour yarns as I ordinarily would with anything else I make as they'll be worn to shreds and wind up in the garbage in a year's time. In this case I thought the piecing actually rather improved the appearance of the slippers from the top front view, and it won't make a difference to durability as it's the heels that always wear out first. So that's part of my father's Christmas present taken care of. Now to purchase the biggest container of chocolate rosebuds I can find.

Hello Kitty It's Winter

I came across this hat pattern, which is the Pretty Kitty Beret, designed by Amanda Clark, and available for £2.50(GBP), by accident some months ago. I have a five-year-old Hello Kitty-obsessed grandniece. I had resolved to only knit for my grandniece Cauliflower and her little brother once a year, for their birthdays, as they always have way more clothes and other stuff than they need, but this hat was just so cute and Cauliflower would love it so much that I ended up yielding a point and making it. After all, it's just a hat.

Except of course it ended up not being just a hat. I whipped up the matching mittens using this free Drops design pattern. I had the yarn on hand and don't know exactly what brand it is anymore (the ball bands being long gone) but I think it was Kroy sock yarn. My niece tells me Cauliflower has a black winter coat and a hot pink winter coat, and this turquoise set should look fine with either one. I bought most of the beads and the tiny gauge crochet hook I used to slip the beads on the stitches. The tiny black beads I used for the whiskers have a funny back story. Some years back when my sister-in-law was at my place for the Swan family Easter do, the necklace she was wearing broke and the beads scattered everywhere. With the help of several other family members, she picked up most of the beads but there were some stray black seed beads still lying about. The next day I picked them all up and put them carefully away in a small bag in my bead box, thinking it would be amusing to incorporate them into a new necklace and give it to her some Christmas. I never did get around to making the necklace, but the black beads proved to be perfect for the whiskers on the hat and mittens that I'm going to give to my sister-in-law's beloved granddaughter this Christmas. You never know what will happen when you leave craft materials behind in a crafter's home.

I made just one mod to the hat pattern, which was to only put one kitty face on it rather than the six or so the pattern called for, as I thought it looked better. Lately I've been trying to make sure I learn something new during the course of every project. This project involved me learning two new techniques: the long tail tubular cast on, and beading. I'm going to be using the long tail tubular cast-on for every hat, glove, mitten, and sock I make from now on (love that stretchiness), and I'd like to do more beading. It really is very easy.

Brown is the New Black Gloves

The plan for this project has its roots in a colour theory course I took back in 2001 at George Brown College in Toronto. One night the instructor gave each member of the class a personal colour theory analysis, and I found out that I was not, as I had cluelessly thought, a winter, but an autumn. Even before taking that course, I had been a big subscriber to the seasonal palette wardrobe theory, which essentially holds that everyone looks best in a certain colour palette. I'd found it a sound idea to shop and dress in strict accordance to one palette, because it meant that I didn't need to own so many clothes given that clothes, shoes, and accessories chosen according to a given colour scheme work together so much better. It should also mean one looks one's best, but it hadn't in my case as I'd been building my wardrobe on the wrong damn palette. So a long, expensive process of transitioning to an autumn palette wardrobe began.

I was basically done with the transition process in four years or so, but this year I decided to finally get rid of the last lingering black items in my wardrobe. There weren't many. Basically it was just several pairs of track pants, because I could never find any track pants that were dark brown and wasn't about to buy them in, say, orange or turquoise, and a few things I had kept to wear with the black track pants: a black backpack bought in 1998, and a pair of black wool gloves bought around the same time. Both backpack and gloves were, as you would expect, much the worse for their sixteen years of use, and were about due to be replaced anyway. I ordered two pairs of dark brown yoga pants and a snazzy new leather-trimmed canvas Everlane backpack over the net, and then, when it came to replacing the wool gloves, decided after a quick, discouraging Google for brown wool gloves that I should make them myself. A rummage through my stash produced a nearly full 100g skein of dark brown DK wool, so I then searched for a glove pattern that required DK weight yarn.

The above pattern was the one I settled on. It's the Hands of Blue pattern, designed by Lucy Hague, and is available for free.

And here are photos of the finished gloves that I made. The yarn used here is Sirdar's Country Style DK. It's machine washable, which is good as I always found I had to wash my black wool gloves regularly. I had bought and used a little of that 100g skein to make a panda bear dress and purse for my grandniece in 2013, and even after doing the gloves there's still a good bit of the skein left. I think I could make another glove out of it, which is good to know in case I should lose one of this existing pair. I still have a single cashmere-lined brown calfskin glove, the mate for which I lost something like seven years ago, that I can't bear to throw away, though eventually I'll probably cut up the leather and use it for trim on some sewing project or for doll shoes or some such.

These gloves are perhaps the third pair of gloves I have ever made. I discovered from my first couple of glove-knitting experiences that I disliked knitting fingers because they're so fiddly, and I found out I still feel that way. It is worth the work, though, as you can fit the gloves exactly to your hand. Then too, I like being able to make gloves with the long wrists that are harder to find in manufactured gloves, and which make for a clean line at the wrist and leave no wrist exposed to the winter elements. And these gloves cost me nothing at all to make, which was especially gratifying considering that I'll mostly be using them for hiking and shovelling snow.

Reversible Diamonds Afghan, Part Deux

This is the Reversible Diamonds afghan, designed by Shari Haux and published in Easy Afghans for Knitters, which I have just finished knitting for the second time.

I first made this afghan for my bedroom back in 2008, and though I like the pattern I made the mistake of choosing the wrong yarn for it. I used an acrylic worsted, TLC Amore in "Vanilla", which is more accurately described as a very pale peach. It was pretty enough, but was so light and thin it had no warmth to it at all, which is not exactly a desirable quality in an afghan intended for use in a Toronto house that was built in 1912 and that is warmed by a 1991 furnace. So even on the day I finished the peach afghan (and I still remember the relief and delight with which I cast off that last stitch with exactly 6" of yarn to spare!), I knew I'd have to eventually make another afghan for my room.

Introducing the new version of the Reversible Diamonds afghan. However, I think I've again chosen the wrong yarn for it. This time I used Phentex Fashion Twenty-Three in "Icicle White", a super bulky blend of acrylic, polyester, mohair and wool. I bought eleven 100g skeins of this yarn from the Zellers in my area circa 2011 for one dollar per skein, plus tax. Then I discovered I had two more identical skeins in my stash that I'd bought a number of years before as seconds. This afghan therefore cost me under $15 to make. This is not why I decided I'd chosen the wrong yarn.

The yarn proved to be something of a drag to knit with, because there was so much resistance from the fluffy texture, and mohair always does mat together. It's no fun to have to fight with your yarn at every stitch. I initially began this afghan in February and it wound up being one of those projects I could not keep myself at and kept putting aside to work on anything else, until mid-August, when I took it up with grim resignation and told myself I could not work on anything else until it was done. However, that "hard to knit with" quality is also not why I feel this was a bad yarn choice for this afghan, because obviously that's a time limited drawback.

This yarn does have quite a bit going for it: it feels nice, it looks good, and it certainly can't be accused of not being warm. So what's the fatal flaw? The big drawback is that this yarn is hand wash only, and this afghan is 3'6" x 6'4". I didn't clue into this until the afghan was half done. Oh well, I suppose I can wash it in the bathtub a few times a year, put it through the spin cycle on the washing machine, and spread it out on towels on the attic floor to dry. And cross my fingers that my cat finds other locations to yak up his hairballs so that the afghan needn't be washed more than a few times a year. Trilby never did put the old afghan (which was machine washable and dryable) to that purpose, so there's hope of that.

Besides refiguring the number of stitches in a row to suit a super bulky yarn rather than the worsted this pattern called for, I accidentally made one other mod. The border is supposed to be done in a seed stitch, but I think I messed that up back in February and decided to just go with the stitchwork I'd inadvertently come up with instead. I call it "moss ribbing".